A Mani-Pedi-Anti-Counter-FESTO for Queer Screen Production Practice (film)
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posted on 2024-08-20, 01:47authored byANGIE BLACKANGIE BLACK, Patrick Kelly, Kim Munro, Stayci Taylor
In this audiovisual essay, four practitioner-academics seek to identify and address the need to reimagine queer screen production. Traditional heteronormative storytelling dominates the screen production landscape, necessitating a challenge to create more inclusive and diverse narratives. Through the creation of a manifesto essay film, the researchers collectively reflect on their creative practices, synthesize their approaches, and develop a new vision for queer screen production. The result demonstrates the value of embracing: sustainable practices, queer kinship-making as filmmaking, alternatives to hegemonic forms, queer shame, queer failure, eternal adolescence, and the disruption of the ever-forward momentum (among other approaches). Manifesto-making as a method encourages creative practitioners to question the status quo of screen production contexts and strategies, and to think critically about the storytelling norms in broader creative practice. The researchers argue that such an approach can enable creative practitioners to pave the way for new, innovative collaborations and contribute to a more inclusive and diverse creative landscape.
History
Add to Elements
Yes
NTRO Output Type
Recorded or Rendered Work
NTRO Output Category
Recorded or Rendered Work : Audio / visual recording
Place
The Universidade Católica, Portuguesa
Venue
Journal of Science and Technology of the Arts, Vol 15 No 2 (2023)
Traditional heteronormative storytelling dominates screen production, necessitating a challenge for more inclusive narratives. Through the creation of a manifesto essay film, the researchers reflect on their practices and approaches, to develop a vision for queer screen production.
This film innovatively explores 'queerer' approaches to screen production, disrupting dominant narrative models and challenging heteronormative temporality. It contributes to expanded understandings of narrative construction within cinema, aligning with critiques of societal norms in queer theory.
The research significance of this project lies in its innovative application of the "manifesto as method," which integrates diverse filmmaking practices, deviating from conventional categorizations and production workflows. Noteworthy indicators of its excellence include;
• publication in the peer-reviewed Journal of Science and Technology of the Arts,
• selection for peer review in Sightlines: Filmmaking in the Academy Film Festival,
• invitations to present at esteemed conferences'
• and as a keynote speaker at the Gender Sex and Sexuality Conference.