An Unbroken Surface (Pine Tar) is a work by Dane Mitchell. an electric lifting tripod used in the HVAC and Air Conditioning industry to install external units. On top of the tripod sits an atomiser, a device that comes from the same HVAC industry. This type of atomiser is typically plugged into air conditioning systems to 'tone' the air. They're used extensively in retail, malls, airports and hotels to build specific scent experiences for the purpose of driving memory triggers to certain brands, experiences and to deodorise space. The atomised liquid you see rising from my atomiser as a visible gas is not strictly a fragrance material. It's pine tar, which is a material whose use by humans dates back to the iron age. Pine tar is ancient and modern — extracted from pine via carbonisation — it is readily available at the pharmacy and the hardware store. It is used to preserve timber and human skin. Its fragrance evokes a charred fire, and for many I've spoken to who experienced the work, it reminds them of childhood; of bathing in pine tar to soothe itchy, inflamed skin. I should mention here that the amount of material being atomised as part of the work is small. 4ml an hour. That's a total of a mere 144ml over the course of the exhibition. Although such a small amount is vaporised, that doesn't account for the arresting presence it has. It's smokey, woody, charred, tobacco notes hit the olfactory receptors and grab hold. Beyond our experience of the work, it also rises (and falls) as from many chimneys. It's not smoke though it deceptively smells like it. The specific product I used has been produced in Australia since 1952. It's made by a company named Ego, which was founded in 1953 by Gerald and Rae Oppenheim who "saw a need for products to restore and maintain healthy skin. In the laundry of their suburban Melbourne home they developed Ego Pine Tar Bath Solution, later called Pinetarsol, which remains one of Australia's most widely used inflammation treatments. Gerald's father, Dr Erwin Oppenheim, was a successful dermatologist, and ran his own practice in Germany, before emigrating to Australia with his family in 1939, when Gerald was 13 years old." (https://www.egopharm.com/au/en/about-us/history.html)
Funding
Creative New Zealand;;
History
Add to Elements
Yes
NTRO Output Type
Original Creative Work
NTRO Output Category
Original Creative Work : Visual artwork
Place
Melbourne, Australia
Venue
Gertrude Glasshouse
NTRO Publisher
Gertrude Contemporary
Start Date
2024-05-16
End Date
2024-06-08
Medium
Pine tar, atomiser, HVAC tripod
Research Statement
Scent and smell is bound up in its ability to dwell on multiple thresholds; vision, physicality, affect, time, dimensionality. Smell is resistant to sense-making, conjures the unseen, is temporal and disruptive. It builds complicated, fusional relationships between the world and our bodies.
New knowledge in the production of olfactory art. An Unbroken Surface (Pine Tar) makes deliberate use a consumer material to reveal a certainty: the distance between the synthetic and the natural is collapsing. The research explores the different atmospheres we inhabit and how they not only colour our relation to the world but are determined by it.
This work was accompanied by a new text by Hsuan L. Hsu (UC Davis). Hsu is a world-renowned academic on the aesthetics of atmospherics. This alone situates the research as significant beyond the field of contemporary art.