Chronomingle is a neologism for describing the interplay of storytelling practices across diverse media and art forms. Combining ‘chronos’ (time) and ‘mingle’ (to mix or blend), the term seeks to encapsulate how multiple, interwoven narratives can converge, overlap and interact within a single work, exhibition or event. With this conception in mind, Chronomingle considers ways that artists variously blend, juxtapose and layer temporalities and materials to reflect the complexities of human experience. By unifying multiple timeframes and experiences within a single artistic or curatorial framework, ‘chronomingling’ becomes the practice of creating new connections and associations to recast storytelling as a complex network of allegorical relationships. The artists in this exhibition combine visual art, performance, movement, song, literature, film and digital media to explore the fluidity of time and the interconnectedness of diverse cultural experiences. In presenting a range of very different approaches to storytelling, Chronomingle seeks to capture something of the nature of stories that resonate across different historical and cultural contexts and bind us together through the languages of word, melody, object, space and image.
Funding
Collaborative Research Agreement between Arts@Collins International Gallery Pty Ltd and The University of Melbourne;Cura8 for Project8;GL017192
History
Add to Elements
Yes
NTRO Output Type
Curated Exhibition, Event or Festival
NTRO Output Category
Curated Exhibition, Event or Festival : Exhibition/event
Place
Melbourne, Australia
Venue
Project8 Gallery
NTRO Publisher
Project8 Gallery
Start Date
2024-10-19
End Date
2024-11-30
Medium
Original curated exhibition
Research Statement
Cūrā8’s "artist as curator" model is applied to rethink mixed-media storytelling in contemporary art. Chronomingle considers how blending and layering diverse temporalities and media can activate complex allegorical relationships to contemporary existence. Accordingly, this curated exhibition presents storytelling as an immersive, relational practice linking history, culture and materiality through intramodality.
Chronomingle demonstrates how intermedial approaches to storytelling can generate insights into the dynamic interplay of temporality and narrative across cultures. By integrating diverse media and multiple temporalities, the exhibition creates pathways for better understanding the relational interplay between artistic practices and curatorial frameworks. Featuring 10 very different artists this original exhibition and event program highlights the capacity of art to connect innovative methods for exploring cultural interconnectedness and reimagining storytelling processes as a dynamic, multi-layered and collaborative form of engagement.
Chronomingle exemplified the generative potential of the "artist as curator" model as a dynamic exploration of storytelling as a relational and intermedial collaborative artform. Attracting over 500 visitors across six weeks, the exhibition featured local, national, and international artists Jia Jia Chen, Janelle Evans, Peter Hill, Priyanka Jain, Claire Lehmann, Abhijit Pal, Elif Sezen, Stickleback, Zamara Zamara, and Siying Zhou. A complementary event program—spanning workshops, performances, and open studios—engaged participants in psychogeography, Surrealist drawing techniques and intercultural storytelling. This robust engagement generated complex interdisciplinary dialogue in an accessible public format. By blending temporalities and materialities across diverse cultural frameworks and methods, Chronomingle contributed to contemporary artistic and curatorial discourse and is currently being expanded into a book-length articulation.
Size or Duration of Work
Six week exhibition with 5 additional performance events and workshops