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Costume Design for Parsifal

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posted on 2025-03-27, 22:21 authored by CHRISTINA SMITHCHRISTINA SMITH
This production is the first fully staged production of Wagner’s Parsifal in Australian since 2001, directed by Roger Hodgman and conducted by Victorian Opera Artistic Director Richard Mills. It was produced by Victorian Opera at the 2,800 seat Palais Theatre St Kilda in 2019, running for 3 performances. This production sought a contemporary and recognisable approach to the characters in this epic romantic era opera traditional set in medieval times, with the traditional attire of knights reimagined in an austere and modest modern-day uniform whilst their nemesis was grotesque in excessive adornment and a garish cosmetic veneer. The use of an extended chorus enabled the figures on stage to become a significant scenographic statement when gathered en masse.

History

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NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Original Creative Work : Design / architectural Work

Place

Melbourne, Australia

Venue

Palais Theatre

NTRO Publisher

Victorian Opera

Medium

Design for Live Performance

Research Statement

This production is the first fully staged production of Wagner’s Parsifal in Australian since 2001, directed by Roger Hodgman and conducted by Victorian Opera Artistic Director Richard Mills. It was produced by Victorian Opera at the 2,800 seat Palais Theatre St Kilda in 2019, running for 3 performances. This production sought a contemporary and recognisable approach to the characters in this epic romantic era opera traditional set in medieval times, with the traditional attire of knights reimagined in an austere and modest modern-day uniform whilst their nemesis was grotesque in excessive adornment and a garish cosmetic veneer. The use of an extended chorus enabled the figures on stage to become a significant scenographic statement when gathered en masse. The excellence of this work is evidenced by: • The producing company, Victorian Opera, is the state opera company of Victoria and a member of the Australian Major Performing Arts Group, receiving both federal and state arts funding. • The production received a broad range of critical reviews from major national publications, notably from the Age newspaper by Bridget Davies, The Australian by Eamon Kelly, Limelight magazine by Patricia Maunder and Bachtrack by Brian Angus.

Size or Duration of Work

3hrs 36 minutes, 3 performances

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