Dear Evan Hansen, is a Tony Award winning musical that is a moving and inspiring story of a socially anxious highschooler who is suddenly thrust into the spotlight when he inadvertently invents an important role for himself at the centre of a local tragedy. This Australian premiere production was a completely new version created by an all-Australian creative team produced in collaboration between the Sydney Theatre Company and Michael Cassel Group. The lighting for this production created and supported the many locations of the work by sculpting and isolating the characters within the blue void of the set design. A significant aspect of the work is a focus on the modern conundrum of the digital worlds we all carry around with us now on our phones. The idea of being connected yet still ultimately isolated from each other. A rectangular frame of light around the proscenium of the set was used throughout in both static and animated form. This served to both reflect the digital frames that were the screens of the phones, tablets and computers of the characters but also audience. This frame also provided a way to accentuate both the depth and density of the void within the playing space. The work made use of light blended with projection in a seamless and technologically satisfying way.
History
Add to Elements
Yes
NTRO Output Type
Original Creative Work
NTRO Output Category
Original Creative Work : Design / architectural Work
Place
Sydney, Australia; Melbourne, Australia
Venue
Rosalyn Packer Theatre, Sydney; Playhouse Theatre, Arts Centre Melbourne
NTRO Publisher
Sydney Theatre Company and Michael Cassel Group
Start Date
2024-10-12
End Date
2025-02-16
Medium
Lighting Design
Research Statement
Dear Evan Hansen, is a Tony Award winning musical that is a moving and inspiring story of a socially anxious highschooler who is suddenly thrust into the spotlight when he inadvertently invents an important role for himself at the centre of a local tragedy. This Australian premiere production was a completely new version created by an all-Australian creative team produced in collaboration between the Sydney Theatre Company and Michael Cassel Group.
A significant aspect of this work was the digital worlds we all carry around with us on our various devices and their power to isolate. A frame of light around the proscenium of the set was used throughout in both static and animated form to highlight this theme. The work made use of light blended with projected image in a seamless manner to sculpt the storytelling that suspended the characters in a void that represented the contemporary experience of life as teenager and the response of their parents.
• The work was a co-production between a flagship Major Performing Arts companies and a significant commercial Producer.
• The work was critically well received across both its Sydney and Melbourne seasons achieving high box office records in both venues.
• The work was directed by Dean Bryant one of Australia’s leading directors of musical theatre.
• It was a significant continuation of a long-term collaboration in my work as a lighting designer with Dean Bryant as the director.