posted on 2025-12-02, 20:56authored byCarol BrownCarol Brown, Bronwyn Kidd, Fiona Graham, Russell Scoones
<p dir="ltr">SALTLINES FOR SEALION WOMEN is a community dance project centered on recovery, safety and kinship. It engaged a local community on the southern coast of Aotearoa New Zealand in choreography inspired by the recolonisation of Otago’s coastline by Pakake, one of the rarest and most endangered sea lion in the world. Through all-weather dance workshops on the beach, archival research, guided improvisations and field trips with marine scientists and conservationists the choreographic dramaturgy emerged for an in situ performance as part of the Wild Dunedin New Zealand Festival of Nature. Core collaborators on the project were Fiona Graham (dramaturg), Bronwyn Kidd (photographer), Anna Noonan (Producer) and Russell Scoones (composer) who worked with me as choreographer to shape the artistic and aesthetic design. Twenty women aged between 21 and 76 performed and we also included the voices of local women aged between 7 and 99 in the original sound design (heard through headphones by the mobile audience). Undergirded by the drive of Pakake (New Zealand sealions) to breed on the beaches, sand dunes and coastal waters in and around Dunedin; and coterminously the efforts of women throughout the world to make safe spaces to thrive, the research addressed critical issues of care and safety for female mammals. Humans are working out how to move and live alongside these extraordinary creatures of the sealand. No longer prey - hunted for fur, skin, oil and teeth - they are co-habitants of the city. Following their near extinction because of colonial-capitalism, the research explored how to share space without being afraid of their difference and whilst restoring their mana (Rewi 2022). Saltlines for Sealion Women is a project of community solidarity, a dance of kinship with the Pakake, who are a living testimony to the potentialities for species revitalisation and return. </p>
Funding
University of Otago ;Caroline Plummer Fellowship in Community Dance;RCH0217883 2025
Site specific performance incorporating dance, music and dramaturgy.
Research Statement
David Abrams (1997) and Bruno Latour (2018) amongst others, claim that one of the best ways for engaging in sustainability issues is to create encounters that allow people to build a living relationship to the natural environment. Such relationships invite perceiving the body differently from its everyday habitus in urban spaces. Taking the story of a lone female sea lion’s return - ‘Mum’ - from the Subantartic Islands in 1994 to the beaches of Otago and transforming this into an allegory for hope, this artistic research project asked what does it take to be courageous? Through all-weather dance workshops on the beach, archival research, guided improvisations and field trips with marine scientists and conservationists the choreographic dramaturgy emerged for an in situ performance as part of the Wild Dunedin New Zealand Festival of Nature. Core collaborators on the project were Fiona Graham (dramaturg), Bronwyn Kidd (photographer), Anna Noonan (Producer) and Russell Scoones (composer) who worked with me to shape the artistic and aesthetic design. Twenty women aged between 21 and 76 performed and we also included the voices of local women aged between 7 and 99 in the original sound design (head through headphones by the mobile audience).
Pakake are of special significance to te iwi Māori as a taonga (treasured) species. Humans are working out how to move and live alongside these extraordinary creatures of the sealand. Following their near extinction because of colonial-capitalism, the research explored how to share space without being afraid of their difference and whilst restoring their mana (Rewi 2022).
Saltlines for Sealion Women is a project of community solidarity, a dance of kinship with the Pakake, who are a living testimony to the potentialities for species revitalisation and return.