The Imponderables

The Imponderables offers a perspective on our relationship with matter and the environment and estranging attempts to protect the future from our present selves. The exhibition orbits Svalbard, a remote, stateless Arctic archipelago: a proto-heterotopia where birth and death are prohibited; an un-country that both reflects and upends; and a disappearing natural habitat for the polar bear, locally held captive in the manufactured facsimile of their Arctic home in Sea World on the Gold Coast, just 75km from the gallery. The project includes a series of letter-works — a form the artist first employed in his work in the late 1990s — alongside new sculptures and photographic work, including high-resolution detailed scans of the doors to the Global Seed Vault — a doomsday vault buried in the side of a mountain in Svalbard — using a flatbed scanner to produce images of the threshold between our incendiary present and a buried future. Through the innovative use of technology, pseudo-pharmacology, performative gestures and vanished and entrapped materials, the exhibition draws connections between the containment of nature in zoos and museums to the Global Seed Vault's paradoxical status as both a hopeful safeguard and an apocalyptic proposition. The Imponderables contends with legacies of preserving, apprehending and comprehending the world whilst reflecting on Svalbard as a place both on a precipice and in purgatory. It invites viewers to consider the complex interplay between preservation and loss, legibility and illegibility, and our place in a rapidly evolving present and future.<p></p>