The Komeda Project (2014-2015) was an octet comprising musicians based in Melbourne, Sydney and Canberra, who performed reimagined renditions of works composed by Polish pianist and composer, Krzysztof Komeda (1931 – 1968). The group was formed and co-lead by Melbourne-based pianist/composer Andrea Keller and Canberra-based trumpeter/composer Miroslav Bukovsky. Both musicians (consequently of Czech heritage) already had a keen interest in the music of Komeda when Peter Rechniewski, co-founder and former artistic director of the Sydney Improvised Music Association, approached them with a proposal to create contemporary arrangements of a selection of Komeda’s works for premiere at the 2014 Sydney International Women’s Jazz Festival.
NTRO Output Type
- Recorded or Rendered Work
NTRO Output Category
- Recorded or Rendered Work : Performance
Place
Melbourne, AustraliaMedium
CD / digital audio recordingResearch Statement
Featuring Miroslav Bukovsky (trumpet), Erkki Veltheim (violin), Andrew Robson (alto & baritone saxophone), James Greening (trombone), Ben Hauptmann (guitar), Andrea Keller (piano), Jonathan Zwartz (double bass) and Evan Mannell (drum set), The Komeda Project existed as a glorious burst of musical energy for a relatively short period of time. With only four live performances, including the Sydney International Women’s Jazz Festival (November 2014), the Melbourne Women’s International Jazz Festival (December 2014), The Stonnington Jazz Festival (Melbourne May 2015), and for the Sydney Improvised Music Association (Sydney June 2015), they managed to squeeze in a recording on the day of their MWIJF gig (December 11, 2014), at the ABC Melbourne, for Gerry Koster’s former program Jazz Up Late, broadcast on ABC Classic FM.
In-line with her tour to Komeda’s homeland - Poland, Keller self-released the Komeda Project album (ABC recording) in November 2018.
The music presented on this recording, is a medley of pieces from Krzysztof Komeda’s soundtrack for Roman Polanski’s 1962 film ‘Knife In The Water’, similarly a medley of themes from Jerzy Skolimowski's ‘Le Depart’ from 1967, and themes from Jerzy Passendorfer's 1962 film ‘Wyrok’ (‘The Verdict’), arranged and reinterpreted by Keller, and Bukovsky’s arrangements of ‘Alfred Over Rooftops’ from Polanski's 1967 ‘The Fearless Vampire Killers’ (or, ‘Pardon Me, But Your Teeth Are In My Neck’), ‘Svantetic’ from the 1965 album by the Krzysztof Komeda Quintet, ‘Astigmatic’, and the unforgettable melody of the lullaby, ‘Sleep Safe And Warm’ from Polanski’s 1968 film ‘Rosemary's Baby’, which launched the film maker’s international career. Although it’s taken nearly four years to release, the music and the performances from the Komeda Project’s whirlwind existence, are worth the wait.Size or Duration of Work
60 minutesAffiliation
Andrea Keller Meagher, University of Melbourne
