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The Stars Know My Name

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posted on 2025-03-27, 22:04 authored by DARREN SYLVESTERDARREN SYLVESTER
Power. Status. Beauty. The pursuit of these desirable qualities transcends time and culture, and has coloured much of history. In The Stars Know My Name, works from leading multi-disciplinary artist Darren Sylvester are contrasted against a selection of ancient-inspired bronze helmets from the Hellenic Museum collection. Based on cosmetic beauty masks and the mythical Fountain of Youth – an idea alluded to by the Greek chronicler Herodotus in the 5th Century BCE – Sylvester’s polished bronze sculptures speak to an unrelenting, hyper-capitalised world of beauty, youth and status as social currency. Their fluid forms and polished surfaces evoke this enduring allure of eternal beauty and the excess of modern consumerism. In the past, the helmets of the ancient Greek hoplites were tools of self-preservation, protecting flesh from battle. Before they were tarnished by war and time, they too were polished bronze; symbols of the glory attributed to warriors and the archetypal heroes to which they aspired, whose stories were immortalised in the stars. Though worlds apart, these objects share the same concern for reputation and mortality. Together, this contrasting display illustrates a universal story of human desire – not only for longevity, but power and status, in whatever form they may take.

History

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  • Yes

NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Original Creative Work : Visual artwork

Place

Melbourne, Australia

Venue

Hellenic Museum

NTRO Publisher

Hellenic Museum

Start Date

2023-02-10

End Date

2023-04-23

Medium

bronze

Research Statement

'The Stars Know My Name' was a curated exhibition at the Hellenic Museum in Melbourne. Sylvester's sculptures are based on cosmetic beauty masks and the mythical Fountain of Youth – an idea alluded to by the Greek chronicler Herodotus in the 5th Century BCE. Sylvester’s sculptures speak to an unrelenting, hyper-capitalised world of beauty, youth and status as social currency. Their fluid forms and polished surfaces evoke this enduring allure of eternal beauty and the excess of modern consumerism. In the past, the helmets of the ancient Greek hoplites were tools of self-preservation, protecting flesh from battle. Before they were tarnished by war and time, they too were polished bronze; symbols of the glory attributed to warriors and the archetypal heroes to which they aspired, whose stories were immortalised in the stars. Though worlds apart, these objects share the same concern for reputation and mortality. Together, this contrasting display illustrates a universal story of human desire – not only for longevity, but power and status, in whatever form they may take. Both examples of masks are tools of self-preservation. The exhibition held a fascinating similarity in designs from ancient bronze helmets to Sylvester's cosmetic masks recreations. The exhibition opened up a new viewer experience for both the Museum that was looking for more contemporary audiences and conversely, contemporary art audiences went to attend an exhibition usually reserved for artefacts. This was a new outreach from the Hellenic Museum to introduce contemporary art to their exhibition schedule.

Size or Duration of Work

bronze sculptures, various sizes

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