Power. Status. Beauty. The pursuit of these desirable qualities transcends time and culture, and has coloured much of history. In The Stars Know My Name, works from leading multi-disciplinary artist Darren Sylvester are contrasted against a selection of ancient-inspired bronze helmets from the Hellenic Museum collection. Based on cosmetic beauty masks and the mythical Fountain of Youth – an idea alluded to by the Greek chronicler Herodotus in the 5th Century BCE – Sylvester’s polished bronze sculptures speak to an unrelenting, hyper-capitalised world of beauty, youth and status as social currency. Their fluid forms and polished surfaces evoke this enduring allure of eternal beauty and the excess of modern consumerism. In the past, the helmets of the ancient Greek hoplites were tools of self-preservation, protecting flesh from battle. Before they were tarnished by war and time, they too were polished bronze; symbols of the glory attributed to warriors and the archetypal heroes to which they aspired, whose stories were immortalised in the stars. Though worlds apart, these objects share the same concern for reputation and mortality. Together, this contrasting display illustrates a universal story of human desire – not only for longevity, but power and status, in whatever form they may take.
History
Add to Elements
Yes
NTRO Output Type
Original Creative Work
NTRO Output Category
Original Creative Work : Visual artwork
Place
Melbourne, Australia
Venue
Hellenic Museum
NTRO Publisher
Hellenic Museum
Start Date
2023-02-10
End Date
2023-04-23
Medium
bronze
Research Statement
'The Stars Know My Name' was a curated exhibition at the Hellenic Museum in Melbourne. Sylvester's sculptures are based on cosmetic beauty masks and the mythical Fountain of Youth – an idea alluded to by the Greek chronicler Herodotus in the 5th Century BCE. Sylvester’s sculptures speak to an unrelenting, hyper-capitalised world of beauty, youth and status as social currency. Their fluid forms and polished surfaces evoke this enduring allure of eternal beauty and the excess of modern consumerism.
In the past, the helmets of the ancient Greek hoplites were tools of self-preservation, protecting flesh from battle. Before they were tarnished by war and time, they too were polished bronze; symbols of the glory attributed to warriors and the archetypal heroes to which they aspired, whose stories were immortalised in the stars.
Though worlds apart, these objects share the same concern for reputation and mortality. Together, this contrasting display illustrates a universal story of human desire – not only for longevity, but power and status, in whatever form they may take.
Both examples of masks are tools of self-preservation. The exhibition held a fascinating similarity in designs from ancient bronze helmets to Sylvester's cosmetic masks recreations.
The exhibition opened up a new viewer experience for both the Museum that was looking for more contemporary audiences and conversely, contemporary art audiences went to attend an exhibition usually reserved for artefacts. This was a new outreach from the Hellenic Museum to introduce contemporary art to their exhibition schedule.