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Tors happy to help – gravity is less over granite

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posted on 2025-04-01, 03:47 authored by SIMONE SLEESIMONE SLEE
Since the 20th century, sculptural practice and the artwork’s making have been expanded upon by mediums such as video often engaging with the physical actions associated with material and the artist’s body. More recently, New Materialist thinking has acknowledged the autonomous agency of materials in and of themselves. This artwork asks how video can reveal the possible compulsion and gravitational forces of large granite tors from Black Hill on the lands of the Taungurung people, Kyneton. The real-time video of the tors, showing the subtle movement of wind in the trees and butterflies moving in and out of frame, seemingly traces the tors desire to roll independently from their precariously perched state. Each tor rotates as if autonomously around the screen’s frame and as the boulder tilts to roll, in combination with the angled projection screens and in relation to the other two boulder’s movement, a felt haptic affect of instability occurs in the viewers’ body - questioning notions of gravity, time and the physiological sense of stability, our underlying assumptions of what holds things together.

History

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  • Yes

NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Original Creative Work : Visual artwork

Place

Kyneton, Australia

Venue

Kyneton Contemporary Art Triennial

NTRO Publisher

Kyneton Contemporary Art Triennial

Medium

3 channel video projection

Research Statement

Since the 20th century, sculptural practice and the artwork’s making have been expanded upon by mediums such as video often engaging with the physical actions associated with material and the artist’s body. More recently, New Materialist thinking has acknowledged the autonomous agency of materials in and of themselves. This artwork asks how video can reveal the possible compulsion and gravitational forces of large granite tors from Black Hill on the lands of the Taungurung people, Kyneton. This large three channel artwork projection screens real time video portraits of three unique 370 million year old granite boulder tors perched on their ledges against the horizon. The real-time video of the tors, showing the subtle movement of wind in the trees and butterflies moving in and out of frame, seemingly traces the tors desire to roll independently from their precariously perched state. Each tor rotates as if autonomously around the screen’s frame and as the boulder tilts to roll, in combination with the angled projection screens and in relation to the other two boulder’s movement, a felt haptic affect of instability occurs in the viewers’ body - questioning notions of gravity, time and the physiological sense of stability, our underlying assumptions of what holds things together. Commissioned for Kyneton Contemporary Art Triennale I was one of eleven artists chosen nationally for this regional 8 day art exhibition focussed on context sensitive artwork. The project is developed by locally living artists, curators and arts workers with significant national and international experience across the arts sector.

Size or Duration of Work

900 x 300 x 200cm 3 screen projection, ongoing time loop. Exhibition duration: 19/03/2022-27/03/2022

Affiliation

Simone Slee, University of Melbourne

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