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štelo-stelo, Zilverster (Goodwin & Hanenbergh), exhibited at Sarah Scout Presents

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posted on 2025-02-18, 01:33 authored by MARIA RUDOLPHINE IRENE HANENBERGHMARIA RUDOLPHINE IRENE HANENBERGH, Sharon Goodwin
For štelo-stelo – which has multiple, overlapping meanings in Esperanto, including star, money and thief – Zilverster presents a suite of five of their hyper-meticulous style drawings together with a series of intricately engraved glass vessels. Esperanto scripts, ancient annotations, historic illustrations, pop-culture references and even corporate jargon materialise on the vessels. Alone, each object signifies a distinct message, but en masse their ambition becomes much more sinuous and complex; a visual code for the viewer to decipher.

History

Add to Elements

  • Yes

NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Curated Exhibition, Event or Festival : Exhibition/event

Place

Melbourne

Venue

Sarah Scout Presents

NTRO Publisher

https://www.sarahscoutpresents.com/exhibitions/97-zilverster-stelo-stelo/

Start Date

2024-06-07

End Date

2024-07-13

Medium

Pencil and ink drawings in custom engraved frames and various large engraved glassworks and other glass vessels

Research Statement

Zilverster is an ongoing collaborative project, established in 2010 by Sharon Goodwin and Irene Hanenbergh; Melbourne-based artists renowned for their imaginative, elaborate and meticulously rendered solo practices. What began in 2010 as a problem-solving exercise—with one artist offering problematic, unfinished works to the other for advice on resolution—has evolved into a rich shared practice that continues to extend the discursive as well as process potentialities of each artist. While there are many shared interests and concerns between the two artists—fantasy, (art) history, cult iconography, alchemy, supernatural phenomena to name just a few—each operates from a distinct temporal and imaginative framework: Goodwin's contributions are embedded in a medieval, Gothic context while Hanenbergh's derive from a European Romantic sensibility. Zilverster's practice continues to develop out from an original series of beautiful, fantastical drawings that remain compelling in their strangeness. Working to and fro on the production of each other’s drawings seemingly without end has led to a series of extraordinary works on paper that defy easy categorisation. While some elements are recognisable from their individual practices, the two artists consciously play an advanced game of exquisite corpse. Zilverster shift our attention and focus away from the idea of the author, to the joy and fun of creativity and drawing itself. James Lynch, Deakin University

Size or Duration of Work

Solo exhibition, event, 5 week duration, public venue, Sarah Scout presents

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