Dandenong Ranges, Australia. Sunday. Australian documentary maker Emily, and her husband, journalist Danny, are reeling from an allegation of abuse their 4-year-old daughter Natasha has made against a local politician's 9-year-old son, Ethan. Ethan's parents, Joel and Bek, arrive unannounced at Emily and Danny's house intent on convincing the couple that Natasha's allegation is a fabrication. Emily suspects this is a gagging exercise and insists that she is going to seek professional help for Natasha, knowing that this will trigger a mandatory report to the police. Faced with the prospect of a police investigation, Joel and his wife Bek go on the offensive. What begins as an amicable conversation soon degenerates into arguments centring around a lack of evidence, and the unreliability of the stories told by 4-year-olds. When ulterior motives are exposed, the conflict turns to blackmail, threats of social exile and physical violence. Disclosure is a tense dialogue-driven psychological drama, inspired by real events. At a time when the #MeToo campaign is capturing the public zeitgeist, Disclosure expands the conversation to tackle the major issue of child-on-child sexual abuse, its links with the availability of hard-core pornography on the internet, and the seriously inadequate institutional responses to this escalating problem in Victoria and beyond. The alarming scale of child-on-child abuse has been highlighted by a slew of academic papers (Briggs, 2017; Cook, 2015; Trounson, 2017; Wright, 2015). The recent Royal Commission into Institutional Responses to Child Sexual Abuse was inundated with submissions around this issue. Disclosure contributes to the discourse around social change in line with the listed published recommendations, by taking the conversation around child-on-child abuse firmly into the public domain and onto the political agenda. The screenplay for Disclosure won the prestigious Margaret Lawrence Social Justice Award in 2017. The film has its World Premiere, Palm Springs International Film Festival, USA (2020), followed by screening In competition, Gold Coast Film Festival, Australia (2020), Adelaide Film Festival (2021), Newport Beach Film Festival, USA (2020). It was nominated for Best Independent Feature Film, AACTA Awards (2021) and the Winner of the Best Fiction Feature Film, ATOM Awards (2021). Disclosure is distributed in North America by Breaking Glass Pictures, USA and in Australia by Bonsai Films.
Funding
Private Investment;;
History
Add to Elements
Yes
NTRO Output Type
Recorded or Rendered Work
NTRO Output Category
Recorded or Rendered Work : Audio / visual recording
Place
Melbourne, Australia
Venue
Palm Springs International Film Festival
NTRO Publisher
Bonsai Films
Start Date
2018-01-06
End Date
2021-01-09
Medium
Audio Visual Recording
Research Statement
The field is psychological drama in narrative feature filmmaking, focusing on child-on-child sexual abuse. The aim is to expose inadequacies in institutional and community responses, contributing to social change and policy reform.
"Disclosure" explores child-on-child sexual abuse in narrative filmmaking, highlighting links to online pornography and institutional failures. Merging scholarly research with cinematic storytelling, it reveals the emotional and social complexities of such abuse. The film shifts public discourse, influencing policy and societal perceptions, and engages audiences affectively. This innovative approach impacts social change.
"Disclosure" has received widespread acclaim and recognition in the film community. The screenplay won the Margaret Lawrence Social Justice Award in 2017, underscoring its societal relevance. The film premiered at the Palm Springs International Film Festival (2020) and screened at prestigious festivals such as the Gold Coast Film Festival, Adelaide Film Festival, and Newport Beach Film Festival. It was nominated for Best Independent Feature Film at the AACTA Awards (2021) and won Best Fiction Feature Film at the ATOM Awards (2021). Distributed by Breaking Glass Pictures in North America and Bonsai Films in Australia, the film has reached a global audience, influencing public and political discourse on child-on-child sexual abuse.