The University of Melbourne
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Publications

  • Self Care Action Series
  • Conversation Piece, Tamworth Textile Triennial
  • Can't touch this
  • Stitch Fetish 5
  • Feminist Fan in Japan and Friends
  • Standing Ovation
  • Hero Worship
  • Roma: Feminist Colour-IN
  • AAANZ: Feminist Colour-IN
  • KEEP YOUR LAWS OFF MY BODY SWEATER
  • No Woman is an Island
  • Feminist Fan
  • Manifesto: Feminist Colour-IN
  • Feminist Colour-IN
  • PROTEST SIGNS
  • How I Will Change
  • Self Care Action
  • National Anthem
  • Victorian Craft Award
  • Rijswijk Textile Biennial
  • Declaration
  • This Wild Song
  • Needleman Feminist Fan
  • The Public Body .2
  • Unfinished Business: Perspectives on art and feminism
  • National Anthem
  • From China With Love
  • Anonymous was a woman
  • COVID-19 Global Quilt @covid19quilt
  • The Prosumers
  • Queer Threads
  • YOU OK SIS, NOT OK
  • Protest (Fist)
  • Furious
  • Her Keys
  • Armoured
  • Drawing the Line
  • Balancing Acts
  • Satellite Anthem
  • Embodying Entanglement
  • Material Matters at the Coalface: A socially-engaged art enquiry into the politics of coal, space and place
  • Craftivism as DIY citizenship: the practice of making change
  • From the Selfie to the Spiritual: Contemplating Female Self-Representation in a Digital Age
  • New Prayers For Old Feelings: Weaving the world back together
  • Radical Self Care and Sustainable Artmaking
  • PROTEST SIGNS (Braving Time: Queer Art in Contemporary Australia)
  • Keep Your Fucking Hands Off Us 2022
  • Dykes Against Transphobia 2022
  • Anonymous was a woman (Fluid Flax, New England Regional Art Museum)
  • Body and Cloth
  • Hope/Safe
  • Material Edge
  • Wangaratta Contemporary Textile Award (Winner)
  • Unfolding/Folding
  • Hand Made Politics
  • The Furies
  • Neo Pop
  • Amber Stones and Green
  • The Aadambar Strivadi Quilt
  • Big Knitted Welcome Mat
  • The F Word
  • Works from the Contemporary Australian Collection, National Gallery of Australia
  • Substation Contemporary Art Prize (Finalist)
  • f-generation: feminism, art, progression
  • Spring 1883
  • Stitching a Skin of Hope
  • Hope & Safe
  • Subject to Ruin
  • Fertile Ground
  • Telltale
  • The Texture of Her Skin
  • Postscript: A Burial Suit
  • Knit HOPE project
  • The Armour of Hope and Other Works
  • Inward Gathering
  • Venus Was Her Name
  • The Hobart Prize
  • The Skin of Hope
  • Gertrude Studio Artists Exhibition
  • Kate Just: The Knitted Works 2004-2011
  • Louise Bourgeois and Australian Artists
  • Imaging The Apple
  • Venus Was Her Name
  • Inward Gathering, sculptural installation
  • Unearthed, solo exhibition of sculptural works
  • Life, Death, Thereafter
  • Dream Weavers, curatorship of exhibition with nine artists from across Australia
  • Love Bites
  • Knit one, purl one, knit one
  • A New Day in a Strange Land
  • Gertrude Studio Artists Exhibition 2009
  • Bombshell
  • Sneak Peek
  • Song Ling: Kaleidoscope
  • Beauty and the abattoir: viewing industrial slaughter through the lens of beauty
  • Signs of life: the art of artificial animism
  • Placing the body: towards a subjectivity of the feminine in sculpture
  • Becoming becoming open all-around
  • Envelopes and appendages: the body’s response to structure and geometry
  • Geometric garden: mapping a holistic worldview through drawing
  • Boundary (LOVE)
  • The Blake Prize
  • Beckon
  • Parasite Specific, catalogue essay by Kate Just
  • You Make Me Feel
  • 40 Degrees
  • Paradise
  • Shed That Skin
  • If These Walls Could Talk, Catalogue Essay by Kate Just
  • The Printmaking Summer Residency Show
  • Only some of the time (banal personal revelations), curated by Jessica Oliveri & Emma White
  • Bird Girls
  • I Just Don't Know What To Do With Myself
  • The Garden of Interior Delights

KATHLEEN JUST's public data