The use of textiles by artists and designers has long been associated with moments of profound social change and political rupture. From tapestry and embroidery to quilting and tailoring, in the hands of artists, textiles are defined by tension and transformation, resistance and activism. Textiles are a means of time travel and truth-telling. Textiles galvanise communities. Through wars, pandemics and disasters, textiles have offered a way to mobilise social and cultural groups and build connections. In the late nineteenth century, British artist and designer William Morris sought to counter the mechanisation and mass-production of the Industrial Revolution by weaving tapestries on a manual loom with hand-dyed thread. Today, many artists are experimenting with the materials and techniques of textile design as a ‘slow making’ antidote to the high-speed digital age.
History
Add to Elements
Yes
NTRO Output Type
Curated Exhibition, Event or Festival
NTRO Output Category
Curated Exhibition, Event or Festival : Exhibition/event
Place
Adelaide, Australia
Venue
Art Gallery South Australia
NTRO Publisher
Art Gallery of South Australia
Start Date
2024-11-23
End Date
2025-03-30
Medium
hand knitted textiles, canvas, timber
Research Statement
This exhibition explored how the use of textiles by artists and designers has long been associated with moments of profound social change and political rupture. From tapestry and embroidery to quilting and tailoring, in the hands of artists, textiles are defined by tension and transformation, resistance and activism. Textiles are a means of time travel and truth-telling. Textiles galvanise communities.
I contributed four hand knit protest sign works to the show - 'I can't believe I have to protest this shit', 'Black Lives Matter - the Future is Now', 'I Believe Her' and, Feminism Back by Popular Demand'. These hand knitted protest signs explore the significant of protest movements to enacting social change and the significance of text to protest signs. The use of craft in these works reveals the ways knitting and textile craft has been applied to bring about greater understanding and change in relation to sexual violence, racism, and gender equality.
The Art Gallery of South Australia is one of Australia's premier art galleries. This curated exhibition by Leigh Robb and Rebecca Joy Evans highlighted significant national textile practice and practice in the collection. A major full colour catalogue was produced and is stocked in book stores and museum stores nationally. My work was written about in a review of the exhibition in Artlink Magazine, a major critical publication of the disemmination of art.
Size or Duration of Work
five works, dimensions variable, exhibited for four months